Palo Santo |
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Average customer review:(15 customer reviews)
Track Listing
- La Dame Et La Licome
- Red Sea, Black Sea
- White Waves
- Palo Santo
- Seventy-Four, Seventy-Five
- Nobody
- Sing, Little Birdie
- Johnny Viola
- Failed Queen
- Hail, Mary
- Going Is Song
Product Details
- Amazon Sales Rank: #340363 in Music
- Released on: 2006-05-09
- Number of discs: 1
- Dimensions: .20 pounds
Editorial Reviews
Album Description
Their fourth album resembles the austere folk of previous Shearwater albums only incidentally. Thorny forests of static and distortion sprout up occasionally. The band also channels previously unheard influences. "They remain, in parts, as somber still as American Music Club, but now add more than a dash of 'Spirit Of Eden' Talk Talk and a whole heap of '70s FM pop. Soft rock chamber music if you will; like Devendra Banhart or Iron & Wine, Shearwater are capable of emotional resonance through the most brittle of arrangements. Stunning" - Uncut.
Amazon.com
Once a side project of the woefully underappreciated Okkervil River, Shearwater's Palo Santo staggered enough listeners upon its initial 2006 release that singer and bandleader Jonathan Meiburg re-recorded much of the album for this expanded edition. The band has created a far more vivid, upfront, intense aural experience in the re-make. "Nobody" is still a brittle, eerie whisper (like the title track) with a wafting haze behind the guitar and voice, and "Seventy-Four, Seventy-Five" sports a ringing piano behind Meiburg's voice and a horn chart that recalls Neutral Milk Hotel. The most staggering moments find Meiburg going off the rails, bellowing where he once sang warm, yearning high-arcs—particularly in the album's stark opening moments and during "Hail, Mary," with its rush of electric pianos and hard-vamping thwacks as the singer barks across the top. Now Meiburg and Will Sheff need to balance their time--and their electric pianos, guitars, banjos, glockenspiels, and assorted scrabbling sounds between their magnificent other band, Okkervil River, and this tremendous ensemble. --Andrew Bartlett

